When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

When Isabella Tree and her husband arrived at the rural estate they had inherited and saw the vast swathes of farmland that came with it, they immediately saw how sick the land was—entire habitats destroyed, bird and plant species gone extinct, fields saturated with chemicals. The experiment they decided to undertake was extreme: To heal nature, they had to let it heal itself. They stopped tilling the land, released wild horses, pigs, and other animals, and waited. The results surpassed all expectations, as evidenced by this stunning film, reminiscent of a David Attenborough wildlife documentary and based on Tree’s bestselling book. The story’s protagonist, Nature, unfolds before us in all its richness and beauty, inspiring hope in the possibility of healing the environment and in the world’s ability to make itself anew.

Paskowitz医生放弃了原本优越有前途的职业，带着善解人意的老婆和9个孩子，一家11口住进了露营车，一边流浪一边冲浪。也许他们的生活实在让人不能理解，但是，这样能够坦率的放弃优越的生活环境去追求梦想是令很多人都羡慕得吧。

以丝绸之路的自然风光和风土人情为背景，沿丝路古道选取了西安、合阳、乌鲁木齐、吐鲁番、河西走廊、宁夏回族自治区等区域内典型的生活场景与人物故事，经过大量的纪实性影像拍摄、多层次的叙事表达，真实记录了丝路沿线丰富的面食文化及所体现的传统精神和乡土情怀，在充分挖掘丝绸之路上人与面食的不解情缘中探寻文化的交流与融合。

「大觀」位於新北市板橋區。此作使用手機拍攝，捕捉純粹的浮動頻率，紀錄大觀這個地域瞬息流動的當下。鏡頭遊走於大觀街巷，不以敘事為目的，許多湧動的瞬間得以被銘刻，引領觀者體驗影像的力量。讓我們一同浸泡於此。

小哈奇是蜜蜂王国的王子。由于遭到一群凶恶胡蜂的攻击，哈奇和母亲失散了。落单的他独自踏上了寻找母亲的旅程。 哈奇向昆虫们打听有没有在附近见到蜜蜂群，一路问一路走的哈奇迷了路，来到了人类的市镇塞比亚。塞比亚生活着许多昆虫，然而由于环境遭到人类破坏、再加上螳螂镰吉总来抢夺食物，大家都垂头丧气的。勇敢的哈奇站出来向镰吉发起挑战，毛虫小弯仗义相助，他们成了好朋友。接着，哈奇又认识了小弯的恋人绕绕、蚂蚁艾利康、屎壳郎波巧、知了小鸣、瓢虫比客等。

小哈奇是蜜蜂王国的王子。由于遭到一群凶恶胡蜂的攻击，哈奇和母亲失散了。落单的他独自踏上了寻找母亲的旅程。 哈奇向昆虫们打听有没有在附近见到蜜蜂群，一路问一路走的哈奇迷了路，来到了人类的市镇塞比亚。塞比亚生活着许多昆虫，然而由于环境遭到人类破坏、再加上螳螂镰吉总来抢夺食物，大家都垂头丧气的。勇敢的哈奇站出来向镰吉发起挑战，毛虫小弯仗义相助，他们成了好朋友。接着，哈奇又认识了小弯的恋人绕绕、蚂蚁艾利康、屎壳郎波巧、知了小鸣、瓢虫比客等。

捷克超现实主义大师杨·史云梅耶的最新作品，记录了一个业余剧团把恰佩克兄弟1924年的剧本《昆虫生活图鉴》搬上舞台的过程。作为一部低成本的众筹长片，观赏性、艺术性都很不错。原剧本有意把人比作昆虫，充满讽刺意味。